Roundup, Oct #4
From old-school rave to sleazy hip-house, we roundup our favourite tracks of the week. Listen below. Follow our Roundup Selections playlist on Spotify to stay updated on what we
Mykki Blanco – Stay Close To Music
“I should have never dated white men,” Mykki Blanco says with a pang of regret through the droning string loops of Steps. It’s one of the many confessional moments that stud
Caroline Polachek – Sunset
Caroline Polachek is a siren. There’s no other way to explain it, really. The former Chairlift frontwoman turned alt-pop star has an uncanny ability to tap into the essence of hu
M.I.A – MATA
Two days before the release of her sixth album, MATA Sri Lankan-British rapper M.I.A took to Twitter, commenting on the recent ruling regarding alt-right conspiracy theorist Alex J
TSHA – Capricorn Sun
Tenacious, resourceful, disciplined, wise, ambitious, prudent. Lonely. The goat is someone skilled at navigating both the material and emotional worlds, one who cares deeply for th
Roundup, October #3
This week, we go from buzzy New Wave synthpop to firey gqom-dancehall hybrids as we roundup our favourite new releases. Listen below. Follow our Roundup Selections playlist on Sp
Clarence Clarity – UNRECORDED HISTORY
UK songwriter and producer Clarence Clarity is best known for his work behind the scenes of other artists. In particular, his creative partnership with Rina Sawayama put Clarity on
Christine and the Queens / Redcar – La Chanson Du Chevalier
In July, Christine and the Queens announced that he was changing his moniker to Redcar. While details were mostly vague at the time, it was implied that this change would come off
Daphni – Cherry
Ardent followers of Dan Snaith, AKA Caribou, will recognise the enigmatic Daphni as the producer’s more effervescent and playful side, usually brought to life behind the DJ booth
Loraine James, Julius Eastman – Building Something Beautiful For Me
The life and work of American composer Julius Eastman is both a tragedy and enigma. A Black gay classical composer active in the late 70’s, Eastman’s work was alarmingly ahead
