Gábor Lázár – Boundary Object
Few artists can lay claim to as diverse of a discography as Hungary’s Gábor Lázár, who’s as much at home making serpentine pieces of sound art as he is creating mutant regga
Sally Shapiro – Sad Cities
Sally Shapiro seemingly went into retirement in 2016. The Swedish duo, made up of the eponymous vocalist and synthpop producer Johan Agebjörn, ended their decade-long run with a s
Portable – My Sentient Shadow
Whereas the dance music most immediately associated with South Africa are the forms that have arisen from the country’s townships and underground spaces, Portable (AKA Alan Abrah
Breaka – We Move
London producer and DJ Breaka is part of that generation of millennial provocateurs who are totally unafraid to reference and counter reference, an iconoclastic approach that is ar
DOSS – Jumpin’
DOSS has always let her music speak for itself. Infamously elusive, she set the internet alight last year with tastemakers and underground club communities all in a quandary over t
Iceboy Violet – The Vanity Project
In 2005, grime pioneer Wiley explained his music to Spin magazine. “Everyone’s so angry at the world and each other. And they don’t know why.” Rage is at the core of grime.
Yeule – Glitch Princess
The future as prophesied by works of science fiction has never felt more likely to transpire. In the past year alone, we’ve come closer to the sort of tech-dystopias as foretold
Hikaru Utada – Somewhere Near Marseilles
The moment that Japanese-American singer Hikaru Utada (aka Utada) crossed over from moderate success in her home country to full blown J-pop sensation came at around the same time
Pan Daijing – Tissues
Last year, Pan Daijing delivered the haunting and beguiling album Jade 玉观音. Her third effort, Jade 玉观音 was steeped in a sort of uncanniness that made it creep through y
Soichi Terada – Asakusa Light
Seven years ago, the name Soichi Terada was thrust back into the cultural zeitgeist. Up until that point the Japanese producer had mostly stayed quiet, but this downtime was not un
