Mura Masa – demon time
Alexander Crossan’s work in future bass has been pivotal in driving the scene forward (or eradicating it altogether), with his genrefluid approach breeding a significant online f
Hudson Mohawke – Cry Sugar
The super saturated, mass consumerist culture of late capitalist America is no new concept for electronic music. Its neon drenched aesthetics and inherent overstimulation are alway
Two Shell – Icons
Who are Two Shell? Truth be told, that’s probably a question that won’t have any sort of satisfying answer for the foreseeable future. Here’s what we do know: the mysterious
Flume – Palaces
In the years since Australian producer Flume first unleashed his post-dubstep, future bass trap upon the world, the electronic music landscape has shifted significantly. The off-ki
ENiGMA Dubz – Awakening
For over a decade, James Vine has found himself at the fore of the bass music boom. Better known as ENiGMA Dubz, Vine has been pushing the boundaries of what bass could be since cu
Flume, Caroline Polachek – Sirens
Earlier this year, Flume announced his upcoming new album Palaces, his first since 2016, with a single featuring MAY-A. Surprisingly, the comeback single seemed to gesture at a cha
Ilja Alexander releases ‘Someday (Future Bass remix)’
Ilja Alexander, the London-based dream-pop artist, announces the release of the sterling future bass remix for ‘Someday’, on 13 March via Green Monk Records. While the re
Uppwind Label owner Uppermost releases song ‘Creative Infinity’
Prolific electronic producer Uppermost has announced the release of his next single, ‘Creative Infinity’ on 21 February via his label Uppwind Records. Thus far, he has received
In conversation with JAUZ ahead of ‘The Wise & the Wicked’ album launch
Interview by Arnold van der Walt JAUZ has been taking over the electronic music scene since 2015 with his signature hard hitting bass style. The LA-based Icon Collective graduate i