SBTRKT – The Rat Road
It’s interesting to think that a whole generation is growing up on music SBTRKT has had some sort of impact on, potentially without knowing who he even is. Granted, the English
Scratchclart, Menzi – Beyond Gqom & Grime
The potential relationship between gqom and grime reveal significant similarities between the two styles, with both arising from Black, urban spaces and driven by the disillusionme
Effy, Flowdan – Stone
Effy is a name that dance music fans should be paying close attention to. The UK producer and DJ is quickly becoming one of the country’s most intriguing and exciting new voi
Omagoqa – Back To Ebombeni
Omagoqa’s latest EP, an extension of last year’s Back To Ebombeni, is a reminder of the enduring power of the gqom genre in the face of the amapiano boom. The Durban-based
Optical Delusion – Orbital
Somehow, brothers Phil and Paul Hartnoll seem to find themselves constantly pulled back into orbit of each other. Over the course of their three decade long career as British elect
Skrillex – Quest For Fire
Raising as many questions as he has hits, American producer Skrillex has become one of the most contentious figures in electronic music. Many feel that Skrillex should still be hel
Roundup, Nov #1
Welcome to November. We roundup our favourite releases of the week and first of the new month. Listen below. Follow our Roundup Selections playlist on Spotify to stay updated on wh
Premiere: Kormac – Ondes (Featuring Jafaris)
This month sees Dublin composer, producer, and DJ Kormac gearing up to release his first album in almost a decade. Drawing inspiration from orchestral compositions, the multi-hyphe
Roundup, October #3
This week, we go from buzzy New Wave synthpop to firey gqom-dancehall hybrids as we roundup our favourite new releases. Listen below. Follow our Roundup Selections playlist on Sp
Mall Grab – What I Breathe
Australian producer Jordan Alexander’s moniker ‘Mall Grab’ is a term people in skateboarding circles use to describe the way ‘posers’ hold their skateboards at the mall.
