Watch Radiohead perform acoustic rarity ‘True Love Waits’
Thom Yorke, iconic British band Radiohead’s frontman just recently graced the audience with a rare performance of “True Love Waits” during their performance at S
In conversation with Futurecop!
Interview by Shannon Lawlor Futurecop! – Manchester-based cinematic, dream-synth inspired electronic project led my musicians and producers Manzur Iqbal and Peter Carrol have
In conversation with VHS Dreams
Interview by Shannon Lawlor George Dervenagas, better known as VHS Dreams, is an electronic producer currently based in Hartlepool, United Kingdom. The retro-futuristic ethos of De
Interview: 5 minutes with Koto Kill
Koto Kill, the new collaborative project of British DJ and producer Gabriel Ralls. As part of Plastique, Gabriel released two albums (Plastique and #SocialScar), as well as a strin
Love Saves The Day 2018 | Inside Look
Love Saves The Day kicks-off festival season with two days of music at Eastville Park in Bristol. In previous years, Love Saves The Day’s Saturday has been more house and tec
Interview: 5 minutes with Luvian
Luvian is an electronic producer and musician hailing from North England’s Yorkshire Dales. Mixing lush, organic soundscapes together with electronic bleeps and colourful vocal t
Jon Hopkins to release next album, Singularity on May 4th
Singularity, his first since 2013’s breakthrough, Immunity. Singularity is due for release on 4th May. Along with news of Singularity, Hopkins has shared ‘Emerald Rush’ the
Autechre to host month-long residency on NTS Radio
English IDM-pioneers Autechre are back with a month’s long residency on London’s NTS, a Dalston-based online radio station. Rob Brown and Sean Booth, better known as Au
Review: Henry Green refines motion on ‘Shift’
Henry Green | Shift | Akira Records Release date: March 30th 2018 Review by Jenna Dreisenstock A sunlit fall into stillness holds a stagnancy within it; a quiet moment to reflect o
Kelly Lee Owens unleashes Björk remix, announces London show
One of the most vital debuts of last year was the self-titled album from Kelly Lee Owens – a pristine opus of an album which was hauntingly evocative as it was thrillingly propul
